Katie Von Schleicher

Shitty Hits (Ba Da Bing Records)

Contact Stephanie Bauman about Katie Von Schleicher

Katie Von Schleicher’s Bleaksploitation was an accident, years in the making. While interning at Ba Da Bing Records, owner Ben Goldberg offered that she make a cassette for the label to release. It could be anything, demos or a live performance, but she took it a bit more seriously than Goldberg intended. The result was her first self-produced and engineered effort, a strange, hazy, pop-laden tape. Doing her own press under a pseudonym and referring to it as an “album,” Von Schleicher garnered enough attention for Bleaksploitation to see it released on vinyl in Spring 2016.


On her debut full-length, Von Schleicher strikes again on the magic that comes from her warped and uncompromising sound. Shitty Hits channels the bright, sunny radio burners of the 1970’s, songs you drive to, carefree, and songs you can cry to.


From start to finish, Shitty Hits confronts feelings of isolation and powerlessness. Opener ‘The Image’ (named for Daniel Boorstein’s The Image: A Guide to Pseudo-events in America) finds Von Schleicher at bottom, struggling for perspective: “The image runs and runs together / I’m glancing at it on a screen / I can’t tell you how I feel / It runs and runs together / I’m standing beneath it.” Overheated vocals, distorted drums and unwieldy guitars push back, unrelenting. Von Schleicher fights to get out of her head the way Springsteen tries beating it out of town. Shitty Hits doesn’t tackle grandiosity, but mediocrity; the struggle of being deeply flawed and unmistakably human.


Conjuring the home recorded sound of Paul McCartney’s McCartney or Jeff Buckley’s Sketches For My Sweetheart The Drunk, Shitty Hits was created on a tape machine at Von Schleicher’s childhood home in Maryland. Where Bleaksploitation courted a kind of sonic nihilism, Shitty Hits shows confidence and growth. It ends in unflinching self-realization, as Von Schleicher sings “Where is everything I hold to be true? / When you feel like you’re a door they’re knocking on / Or worse, that no one passes through / Do I hold my life? / No one’s gonna sell it back / Over my head.” Words form the questions, answers are given in sound.




    Mar 17, 2018
    Austin, TX

    Apr 04, 2018
    Washington, DC
    The Black Cat

    Apr 05, 2018
    Baltimore, MD

    Apr 06, 2018
    Brooklyn, NY
    Music Hall of Williamsburg

    Apr 07, 2018
    Cambridge, MA

    May 30, 2018
    Brooklyn, NY
    The House of Yes

    Jun 12, 2018
    Fort Colliins, CO
    The Armory

    Jun 13, 2018
    Denver, CO
    Larimer Lounge

    Jun 14, 2018
    Santa Fe, NM
    Meow Wolf

    Jun 15, 2018
    El Paso, TX
    Lowbrow Palace

    Jun 16, 2018
    Marfa, TX
    Crowley Theater

    Jun 19, 2018
    New Orleans, LA
    Gasa Gasa

    Jun 20, 2018
    Oxford, MS
    Proud Larry’s

    Jun 22, 2018
    Gainesville, FL
    High Dive

    Jun 23, 2018
    Savannah, GA
    El Rocko

    Jun 24, 2018
    Atlanta, GA
    The Masquerade

    Jun 26, 2018
    Washington, DC