Protomartyr

Relatives In Descent (Domino)

Contact Jacob Daneman about Protomartyr

After a year of extensive touring in support of 2015’s The Agent Intellect, Protomartyr returned to their practice space in a former optician’s office in Southwest Detroit. Guitarist Greg Ahee—inspired by The Raincoats’ Odyshape, Mica Levi’s orchestral compositions, and Protomartyr’s recent collaboration with post-punk legends The Pop Group, for Rough Trade’s 40th anniversary—began writing new music that artfully expanded on everything they’d recorded up until that point. The result is Relatives in Descent, their fourth full-length and Domino debut. Though not a concept album, it presents twelve variations on a theme: the unknowable nature of truth, and the existential dread that often accompanies that unknowing. This, at a moment when disinformation and garbled newspeak have become a daily reality.

 

“I used to think that truth was something that existed, that there were certain shared truths, like beauty,” says singer Joe Casey. “Now that’s being eroded. People have never been more skeptical, and there’s no shared reality. Maybe there never was.”

 

Relatives in Descent offers new layers and new insights, without sanding any of the edges born from their days as a Detroit bar band. Ahee’s guitar still crackles and spits electricity. Casey’s voice continues to shift naturally between dead-eyed croon and fevered bark. Drummer Alex Leonard and bassist Scott Davidson remain sharp and propulsive, a rhythm section that’s as agile as it is adventurous. But this is also Protomartyr at their most impressive. After months of rehearsal, the band decamped to Los Angeles, California for two weeks in March of 2017, to record at 64Sound in Highland Park. Co-produced and recorded with Sonny DiPerri (Animal Collective, Dirty Projectors), who helped capture the band’s long-simmering vision for something more complex, but no less visceral, Relatives in Descent also features contributions from violinist Tyler Karmen and additional synths by Cheveu’s Olivier Demeaux.

 

It all begins with “A Private Understanding,” pegged as the album’s opening statement the second it was finished, and a wellspring from which the following eleven songs flow. At once beautiful and brutal, it mutates from drum-led oddity to unlikely anthem, with some of Casey’s most potent lyrical work at its center: “Sorrow’s the wind blowing through/Truth is hiding in the wire.” He’d originally approached the writing on this album as an opportunity to move away from the anger and personal despair that defined much of Protomartyr’s previous three albums. But a lot has happened in the past two years. Disturbed by happenings both local (the ongoing, man-made tragedy of the Flint water crisis) and national (just about everything), Casey drew influence from the songwriting of Ben Wallers, the recently translated stories of Irish writer Máirtín Ó Cadhain, and Robert Burton’s The Anatomy of Melancholy, a sprawling, 17th century masterwork that provided both solace and confirmation.

 

One can hear these influences throughout, be it in the wary reportage of “Here Is The Thing” or the uncanny menace of “Windsor Hum”, the shining city of “Don’t Go To Anacita” or the triptych of delusions both “good” and “bad” that is “Up The Tower”, “Night-Blooming Cereus”, and “Male Plague”. In the end, Relatives in Descent offers a small light in the darkness, while never denying that we are all just standing in the dark.

 

VIDEO

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Tour

  •  
    Sep 06, 2017
    Pittsburgh, PA
    Cattivo

  •  
    Sep 07, 2017
    Baltimore, MD
    Metro Gallery

  •  
    Sep 08, 2017
    Raleigh, NC
    Hopscotch Festival

  •  
    Sep 09, 2017
    Asheville, NC
    Mothlight

  •  
    Sep 10, 2017
    Cincinnati, OH
    Northside Yacht Club

  •  
    Sep 13, 2017
    Brooklyn, NY
    St. Vitus

  •  
    Sep 14, 2017
    Cambridge, MA
    Middle East Downstairs

  •  
    Sep 15, 2017
    Jersey City, NJ
    Monty Hall

  •  
    Sep 16, 2017
    Hudson, NY
    Basilica Soundscape

  •  
    Sep 17, 2017
    Cleveland, OH
    Mahall's

  •  
    Sep 22, 2017
    Detroit, MI
    Detroit Princess Riverboat

  •  
    Sep 30, 2017
    Long Beach, CA
    Music Tastes Good

  •  
    Oct 08, 2017
    Chicago, IL
    Lincoln Hall

  •  
    Oct 09, 2017
    Minneapolis, MN
    Turf Club

  •  
    Oct 12, 2017
    Seattle, WA
    Chop Suey

  •  
    Oct 13, 2017
    Portland, OR
    Doug Fir

  •  
    Oct 14, 2017
    Eugene, OR
    Hi Fi Music Hall

  •  
    Oct 15, 2017
    San Francisco, CA
    Great American Music Hall

  •  
    Oct 17, 2017
    Phoenix, AZ
    Rebel Lounge

  •  
    Oct 19, 2017
    San Antonio, TX
    Paper Tiger

  •  
    Oct 20, 2017
    Austin, TX
    Barracuda

  •  
    Oct 21, 2017
    Dallas, TX
    Dada

  •  
    Oct 22, 2017
    Houston, TX
    Secret Group

  •  
    Oct 24, 2017
    Atlanta, GA
    The Earl

  •  
    Oct 25, 2017
    Charlotte, NC
    Neighborhood Theatre

  •  
    Oct 26, 2017
    Washington, DC
    Rock n Roll Hotel

  •  
    Oct 27, 2017
    Philadelphia, PA
    Boot & Saddle

  •  
    Oct 28, 2017
    Brooklyn, NY
    Music Hall of Williamsburg