Modern Nature

Modern Nature announces its new album, Island Of Noise, which will be released as a vinyl box set on November 19th via Bella Union. Since the demise of his previous band Ultimate Painting, Jack Cooper – under his Modern Nature guise – has never stopped looking ahead, exploring and reaching for something further. Island Of Noise presents an obvious new peak in his discography. Over the last 12 months, Cooper has constructed a beautiful, free-flowing box set’s worth of material featuring a new album, a separate and equally engaging instrumental interpretation of the album and an accompanying book featuring the work of wide-ranging, non-musical artists that reinterpret, deconstruct or take inspiration from the 10 tracks on the record.

On re-reading The Tempest in 2019, Cooper was moved to write the quote, “Be not afeard, the isle is full of noises,” on the wall of his workshop and doing so sparked the initial ideas and activity that culminated in this record. The rich imagery and themes of The Tempest have long been a springboard for artists, but it was the setting of an island and the insular framework it represented that appealed as a way of elaborating on the musical and lyrical themes Modern Nature has been exploring since their first record in 2019. Cooper elaborates: “I imagined the island’s landscape and how it would change and shift through the record. My guitar, Jim Wallis’ drums and John Edwards’ bass would represent a slowly evolving landscape that would provide the bedrock for the other instruments to colour. The forests, the valleys and the life would be represented by an orchestra of improvisers and classical musicians, working around certain modes and composed melodies.”

Island Of Noise was completed during a relaxation of the pandemic restrictions and for Cooper and his fellow musicians, its recording came to represent a sanctuary in itself. The feeling of freedom with which they made the record allowed for hours of improvisation and experimentation, resulting in a companion record called Island Of Silence; a more impressionistic instrumental picture of the island and its music. Elaborating one step further, Cooper approached ten artists he felt an affinity towards (including Booker-nominated poet Robin Robertson, mycologist Merlin Sheldrake, illustrator Sophy Hollington, polymath Eugene Chadbourne and The Lark Ascending author Richard King) and asked them to reinterpret, deconstruct or take inspiration from one of the ten pieces of music for an accompanying book. Island Of Noise and Island Of Silence were both recorded on 2” tape with long-term collaborator and co-producer Ed Deegan and then cut directly to vinyl. Similar attention has been paid to the production of the book and box-set, with all of the material, including the vinyl, sourced from recycled and sustainable materials.

Cooper once said: “With every song we record or musician we gain, another door seems to open on a route that’s worth pursuing.”  More than ever, this rings true on Island Of Noise and Island Of Silence, with the musicians sharing a collective vision that builds the most cohesive and exploratory version of Modern Nature yet. Island Of Noise fits beautifully between genres sitting alongside (modern) classics like Mark Hollis’ Mark Hollis, David Sylvian’s Blemish, and Bert Jansch’s Birthday Blues. Like those, this is an album that may confound or challenge some, but will stand the test of time to those that open themselves up to Modern Nature.

Accompanying the release of the album is an original film by Cooper and Conan Roberts that will be screened throughout the UK in partnership with Caught by the River, followed by Q&As with Cooper and special guests. Details are below.