Tim Heidecker

Tim Heidecker announces his new album, Slipping Away, out October 18th via Bloodshot Records, and releases its lead single/video “Well’s Running Dry.” After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.

While on his first combined comedy and music tour in 2022, and his first time performing his own material with a full band every night, Heidecker noticed a recurring response to his lyrics among his devoted fanbase. “Especially people my age, maybe a little younger,” he recalls, “They would come up to me and say, ‘That is how I feel. And it’s nice to know you feel that way, too’” Where his celebrated work in film and television is often an act of complex, surrealist worldbuilding, the increasingly tender and expertly crafted singer-songwriter material Heidecker releases under his own name is built to encourage these person-to-person connections.

Working with The Very Good Band — Eliana Athayde on bass, vocals and additional production; Josh Adams on drums; Vic Berger on keys; and Connor “Catfish” Gallaher on guitar and pedal steel, alongside a contribution from Tim’s daughter Amelia — Heidecker wrote a series of songs that tap into universal anxieties, familiar settings, and, occasionally, a blast of apocalyptic unease. If he were to perform them solo acoustic, they might sound like folk songs, with their instantly hummable melodies, singalong choruses, and unexpected ability to zoom out far beyond their initial premises. Even the simple act of making music, as portrayed in the cleverly constructed writer’s block anthem “Well’s Running Dry,” can lead to an earnest reflection on insecurity and aging. “As soon as I wrote that, I worried that it’s not cool to talk about,” Heidecker says. “But a second later, I thought—well that’s challenging and exciting. Let’s push past that.”

Slipping Away is crafted like a killer live set, building in emotional impact and intensity. Heidecker refers to the album as a true group project, a euphoric experience that helped turn his songs into living, breathing things. “My favorite records are the ones that were just recorded in a room with a band playing,” he says, citing classic-rock landmarks from Bob Dylan, The Beatles, and The Band. “And that’s what we did.” Across the album, Heidecker and Athayde often take the roles of duet partners, occasionally assuming a Gram-and-Emmylou dynamic with her quavering, empathetic harmony.

Heidecker describes working with the band on Slipping Away as a personal breakthrough in his career. “Having been doing quote-unquote ‘entertainment’ for 20 years now in different forms, it was a revitalizing experience to be out of my comfort zone a little bit. It was a learning opportunity.” After working with indie luminaries like Mac DeMarco, Weyes Blood, and Father John Misty, Heidecker is in a rarefied field of artists who refuse to grow complacent, and creative leaps like Slipping Away exemplify his devotion to the craft. Quoting Paul McCartney, Heidecker ascribes to the idea that “work begets inspiration” and each new project helps lead to the one just beyond it. “People ask me a lot about the difference between making music and comedy,” he says. “I finally got to a point where I was like, ‘Let’s stop thinking about these things as genres.’ It comes out in different formats but hopefully it all becomes one big thing that I’m making. I think it’s fairly united.”